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Platform: Volume One, Number Two January 2000
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Editorial - Tax Breaks for UK donors?

One of the joys of consulting in both the United Kingdom and the United States is permanent jet lag. Another is 'intellectual arbitrage' — the opportunity to apply good practice from one country in the other, appropriately and sensitively of course. A difficulty in applying lessons from the United States in the United Kingdom has always been that the funding systems are so radically different, as a result of the tax regimes under which they operate.

Not necessarily so for much longer. Gordon Brown (British Chancellor of the Exchequer) indicated in last November's 'green' budget that he was considering: i) abolishing the starting limit for Gift Aid (currently 250); ii) introducing tax relief for donors on contributions of shares to charities; and iii) exemption from CGT for the beneficiary of those shares.

The implications of these breaks — if given — are going to take a while to sink in. But they are significant both in themselves and as a harbinger of full tax relief on cash contributions. Their effect on the political economy of the arts may not be immediate but it will be profound.

In the language of undergraduate micro-economics, there will be an income effect and a substitution effect. The income effect will be an increase in the amount of funding going to the arts, provided the Treasury does not use it as a pretext for reducing grant in aid — or at least if DCMS successfully resists the Treasury when it does.

The substitution effect is more interesting. As the balance of tax-generated support shifts from centrally determined grants to individually determined tax choices, arts managers' efforts in cultivating support will switch at the margin from positioning their organisations' agendas vis a vis the agendas of the arts funding system to positioning vis a vis the agendas of individuals, mostly higher net worth individuals. Watch this space for unpredictable outcomes.

- Adrian Ellis

 

AEA Consulting LLC


Past issues:

Volume Two
Number 1 - Number 2 - Number 3

Volume One
Number 1 - Number 2 - Number 3 - Number 4 - Number 5 - Number 6



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